A Dangerous Method is based on a play by Christopher Hampton, which itself is based on a book written by John Kerr and somewhere along the rattling crawl between the base camps in Vim and vigor have bled to clean it. Fassbender stars as the young Carl Jung, psychiatrist and budding achieved greatness in the eye of Gimlet his mentor, Sigmund Freud (Mortensen). Love Jung Freud, but in addition, the two men pulling in opposite directions.
Freud considered Jung line of analysis is too airy, too much under the influence of the conjecture and randomness. Jung, for his part, says masters have sex on the brain. "There must be more than a turning point in the universe," he growls.
The irony, however, is that while Freud is presented as a celibate old shaman, Jung is not living the dream, moving the hinge until the cries of protest. He is married and has children after he begat children in the course of a relationship with Sabina Spielrein (Keira Knightley), a brilliant hysteric is a prisoner in the hospital. Sabina shows his teeth and an extraordinary development, chin lengthened by rights have been shot in 3D. She is, says, "vile and dirty and corrupt" and his greatest desire is to be tied and whipped. Jung, with a measure of pain, frowning, duly obliged.
But Spanking, like any good psychiatrist should know, have consequences. In this particular case, winds up in an exciting Sabina alarming degree, making it more miserable than it was before Jung and complete kill friendship with Freud, who initially defended his protégé and therefore feels a fool for do. That spanking can not, unfortunately, hit a little more life in this heart, well done, but strangely disappointing record Masterpiece Theatre. A Dangerous Method feels heavy and gloomy. It's a story that comes marinated in port and suffocated with the smoke of pipes. You yearn to jump the couch, throw open windows and run around the garden.
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