Wednesday, November 23, 2011

Dangerous Method Megavideo

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Before he became known as psychoanalysis, radical new way to manage emotional crises developed by Sigmund Freud, Carl Jung and others were known simply as "talking cure." And he speaks - smart, satisfying and even exciting - is the essence of "A Dangerous Method".

"Method" stars Viggo Mortensen as Freud, Michael Fassbender as Jung, and a game, but a little fiasco Keira Knightley as Sabina Spielrein, a woman who has influenced both. The style cause the trust of David Cronenberg is essential to do this kind of intellectually stimulating film seems easy, but the essential element in the success of the film is Christopher Hampton classic scenario well written.

Hampton credits (including the Oscar-winning "Dangerous Liaisons," "Atonement" and starring Michael Caine, "The Quiet American") are mostly adaptations, and here worked so at their own game subject (called "The Talking Cure ") and John Kerr" A more dangerous, "a complete history of this three-way relationship.

If the script writer Hampton offers essential language, Mortensen and Fassbender do a great job turning the legendary figures such as Freud and Jung irresistible to people, it was a shock to hear that others (Christoph Waltz For Freud, Christian Bale, and Jung) have almost the parties.

These players, with his costar, Vincent Cassel, is strong enough to compensate for weaknesses Knightley. It improves as the movie goes, but its performance has no substance to make us believe that his character is just as crucial to the careers of two men that history insists.

It is unfortunate that "dangerous method," begins with the least convincing moments Knightley, their arrival to the clinic in 1904 in Zurich Jung Burgholzli Spielrein 18 years, cries, and cries in the midst of mass hysteria. Keira Knightley truly flows in these scenes, but what we see emerging as an actress rather than a character like mad crazy.

The buttoned Jung told his wife Emma rich and good (Canadian actress Sarah Gadon) that Spielrein might be a good candidate for this new way of talking about Freud, I was reading.

Less than Jung's treatment of Spielrein problems arise quite serious: his father's beatings lead to sexual arousal, feeling that his "does not help me, are disgusting and dirty and corrupt." But also becoming the focus is on female intelligence, vision and the desire to be a doctor, even a psychiatrist.

Of interest continued in the methods of Jung Freud's lead to one of the highlights of the film, their meeting in Vienna in 1906. The two men have much to say to each other that this first meeting turns into a conversation of 13 hours long.

At this meeting, and in the film as a whole, helps Cronenberg has released two Jung and Freud something against the guy. Fassbender is fascinating to see exceptionally charismatic slip into the role of the aristocrat, Jung held, and it's nice to see Mortensen provide unexpected virility to his sybaritic, chewing snuff Freud.

In psychiatric practice in the beginning, neither is sure what will happen next. "I put my feet on the shore and is the country," Freud is ready to say with confidence, but first go to his crown prince and successor Jung probable.

What neither man expects that, once in Zurich Jung, Spielrein, hungry for experience, wants to start a sexual relationship with him, which he rejects as a doctor. Then a new patient, the rich Otto Gross, Burgholzli sent by Freud, enters the scene.

Attractive played by French actor Cassel, Gross is a charm, cocaine-sniffing social nihilist, whose motto is "Never repress anything." A man who believes that "pleasure is simple until we decide to complicate" it has an influence on Jung's ideas about Sabina Spielrein, which in turn creates problems in the complex of Jung to Freud.

Although the surface normal makes this not the norm director Cronenberg, whose credits include "Naked Lunch", which is based on the novel by William S. Burroughs, and in 1996 adapted from JG Ballard's "Crash", the film is fascinated by the creative and the destructive force of sexuality means that "Dangerous Method" is a good fit for him thematically.

When a filmmaker who still valid for bread decides to exercise restraint in the display, as Cronenberg did with one of his previous collaboration with Mortensen, persuasion "A History of Violence," The results are always worthwhile.

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